About five years ago, I stumbled onto some Afrofuturist art in a market in northern Uganda. I was moving through a maze of kitenge stalls when I came to a makeshift gallery that a young artist had set up in a forgotten corner of the market. One of his pieces was of a dramatic skyline, with arched spires climbing into the sky, draped in tropical vegetation. In the foreground, people in stylized, angular kitenge clothes were walking through a bustling public square. I asked him what it was and he said, “It’s the Kampala of the future.”
In contrast to a lot of antiseptic and tech-centric futurism, his mix of sci-fi architecture, verdant ecology, traditional culture, and civic harmony suggested that the ideal future would incorporate a healthy dose of the past. It reminded me of an aphorism from the other side of the African continent, embodied in the adinkra symbol, Sankofa, which depicts a bird with its head turned backward, retrieving an egg. The Sankofa symbol and word convey the idea that in moving forward, it is important to bring along what is essential from the past.

